WRITING CREATIVELY AFTER DUSK.

Which is the best time for you to write?

Early in the morning? Or, late at nights?

Are you struggling to get that perfect time to write?

Well, to tell you the truth, I am still trying to get up early and engage my creative periods.  What I noticed with me, is that I tend to stay up late, and after about 11:00 pm or so, and after a cup of coffee, I’m up and ready to write.

I guess, when you think of it, I am getting up early, right!

Well, more like staying up way into the early hours of the morning.  For me though it works.

So I may work for about two or three hours, then get some rest before heading out to my day job.

How I feel during those writing periods.

I will tell you what though, I really don’t feel exhausted.  If I had to do some late work on a project for my day job, within one hour, I am sleeping on myself.  So this is my deduction.  When I write creatively, I am actually at rest; relaxed with my thoughts during those hours of the early morning.

Are you struggling to get that perfect time to write?

Well for most persons, there are no perfect times.  Sometimes it is the morning, other times you may get some writing done in the evening.  Although you may feel a bit comfortable choosing one time over another, yet you can start writing at any time of the day.

Writing only when I am inspired.

And, well, forget about writing only when inspired.  I tried it, and must report it didn’t always work.  Try writing in a meeting with your boss sitting right next to you.   Not happening!  But that’s where inspiration comes to you sometimes.  You could start writing then and there, but that probably will get you fired.  So don’t take the chance.

Writing at nights could be so relaxing.

At nights when I write, it is as though I’m asleep.  It really feels relaxing.  The words don’t always flow naturally, at least not all the time, but even at this moment there is conversation with the characters.  I get the time to spend with them, to ask them pertinent questions.  Even if the responses don’t make it into the novel or piece I am writing.  I get to have a greater appreciation for who they are. This year, I want to see if I could complete about two short novels (about 50 000 words).  The first drafts of both manuscripts are completed.  So the effort will be placed on self editing, before handing them over to someone more experienced than I am with this editing stuff.

 

Copyright © 2017 David Alexian

All rights reserved.

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4 Lessons for Authors About the Current State of Publishing

by Jane Friedman

1. An author’s online presence is more critical than ever to long-term marketing strategy.

Industry analyst Mike Shatzkin opened the conference by discussing what he thinks is the greatest challenge right now in the publishing industry. He said that authors have long been recognized as the consumer-facing brand that most matters (to publishers and readers), and that today every author can build some kind of digital presence. However, he said, while a few authors do that very well, most do it badly.

Shatzkin said the biggest failure of traditional publishers to date is the lack of programmatic help for authors in building their digital footprint.

At the very least, he said every house should do a digital audit for every author they contract, which includes concrete suggestions for improving online engagement. To his knowledge, no publisher does, but he thinks it should be every house’s top marketing priority.

Later on, Rand Fishkin of Moz offered some of the most actionable content of the entire event, focused on how authors (or publishers) could improve that digital footprint. (Review his full presentation here.) Two of the big highlights of his talk and Q&A session:

  • Make sure your website is accessible, mobile-friendly and optimized for search. Fishkin said that using WordPress is a great shortcut to ensure your site is following best practices related to SEO. He encouraged authors and publishers to consistently link to a book landing page (on the author website) rather than to Amazon, to help ensure the author website and book landing page owned by the author will turn up as the first search result. Fishkin believes it’s better to control the message and capture that visitor/reader before sending them onto Amazon.
  • Do not split up your content website and promotional websites. For authors, this means don’t split up your author website and your author blog (don’t house them separately) or create separate websites that serve only to promote or sell your books. Authors should integrate all content, whether promotional or not, under a single online umbrella, usually a website built on author name. If you want, buy a domain that closely matches your book title, and have it redirect to your main author site (or possibly create a microsite). Fishkin says it increases the probability of your site ranking number one for important search terms, such as your name, book titles, and keywords related to your work.

2. Be reluctant to trust mainstream media headlines when it comes to publishing sales and trends.

Michael Cader of Publishers Lunch, arguably the foremost expert in reading the tea leaves of publishing industry data, offered an overview of what we know and how we know it when it comes to print and ebook sales.

He listed the biggest misleading conclusions appearing in news headlines—conclusions that consistently misinterpret the sales data.

  1. Print is back!
  2. E-books are dead!
  3. Bookstores are back!
  4. Amazon’s publishing division failed!
  5. If only we could count self-publishing, ebooks are booming!

What every author should know about the current industry data:

  • The flattening of ebook sales started happening back in 2013. Plus, some of the ebook decline we’re seeing may be attributable to rapidly falling Nook sales.
  • Adult ebook sales have been relatively stable; the big decline is in children’s/YA ebook sales due to the lack of a big franchise hit in 2015.
  • A big question is whether customers may be transitioning from ebook purchases to audiobook purchases—some of the most dramatic industry growth is happening in digital audio.
  • Recent print sales gains can be accounted for by coloring books.

To understand the full picture of industry sales requires triangulation of multiple data sources and an understanding of what sales those sources account for (and how the accounting has changed over the years). No single source offers a complete picture, and historical comparisons are difficult. One thing is for sure, however: most mainstream outlets, such as the New York Times, misunderstand the data and apply misleading headlines.

3. Learn to find your readers, go where they go, and speak their language.

Industry marketing expert Peter McCarthy and Rand Fishkin both discussed how to find your readers online and reach them directly. McCarthy described it as picking up “the lingua franca of the customer” with a variety of tools and techniques. He demonstrated how he rapidly tests out phrases to learn and access “adjacencies”—the key concepts, active people, and communities whose interests are aligned with themes, topics, or points from your work. (View or download McCarthy’s 109 slides, featuring step-by-step information.)

For more: https://janefriedman.com/4-lessons-publishing/

Your Self-Published Book Needs a Cover. Here’s How to Create It

By self-publishing a book

After spending weeks, months or maybe even years perfecting the words in your book, you’re probably ready to toss it online and cross your fingers you’ll receive rave reviews.

But before you jump on the self-publishing bandwagon, take some time to make sure your book cover is amazing.

When people browse books, whether physical or electronic, the cover is often the first piece of information they see. If your cover looks amateur or out of line with your book’s genre, readers will likely move onto the next option without a second thought.

How does a wordsmith cultivate the images and graphic design skills needed to turn a blank cover into a captivating collage — especially while trying to keep your self-publishing costs as low as possible?

Here are eight inexpensive options for book cover design, whether you’re ready to call in an expert or DIY your cover.

Hire a pro

Not thrilled about the idea of creating your own cover? These options may cost you more, but can help ensure a polished final product.

1. Referrals

Referrals from other self-published writers, writing groups (online or in-person) and writer friends are a great way to find good designers at reasonable prices.

If you already work with designers in a professional capacity, consider asking if they’re interested in working on your book cover; those trusted sources can also provide you with referrals for other designers.

2. 99 Designs

This site can design not only your book cover but also your author logo, character merchandise and anything else you can dream up.

Start by creating a design contest for your project. Write a “design brief” explaining what you’re looking for, and 99 Designs will present your specifications and budget to its marketplace.

Designers then respond to your brief with their ideas. After seven days of reviewing designs, you select a winner and they earn the money you’ve budgeted for the project. You retain full copyright ownership of the final design you select.

99 Designs is the most expensive option on this list, and rates vary from the “Bronze” package at $299, where you can expect around 30 designs to select from, to the $1,199 “Platinum” package which features around 60 “premium” designs preselected for you by the 99 Designs staff.

One potential bonus for using a site like 99 Designs: If you discover a designer whose work you love, you can continue working with that designer on future products.

3. Fiverr

Fiverr offers the chance to get a professional book cover for just $5. The site lets you review designers’ portfolios and see ratings left by other clients.

Some people swear by Fiverr, while others have ended up frustrated. In one case, ebook writing team Frankie Johnnie had to work through 20 design iterations (at $5 a pop) before settling on a design that resonated.

However, the duo still recommends using Fiverr as a basic cover designer and a way to test out cover design options. “For as little as $5 bucks, you can roll the dice…” Frankie says in a tell-all on James H. Mayfield’s blog.

Do it yourself

If you’re not to keen on hiring a professional and would rather tackle design duties yourself, here are a few resources to help you along the way.

4. Use Microsoft Word

Believe it or not, you can actually design an entire book cover using only Microsoft Word.

The Creative Penn even offers an incredible DIY book cover design tutorial by Derek Murphy. His tutorial notes how important it is to select the right picture (“Simple is better,” he says) as well as the importance of balancing colors.

The tutorial also discusses where to find images, whether you’re taking photos yourself, sourcing stock images or using other online sources such as Etsy and DeviantArt. Then, it walks readers through the step-by-step details of designing a captivating cover.

5. DIYBookCovers.com

Derek Murphy’s own site offers customizable templates so self-published writers can easily design their own book covers.

You don’t need to pay hundreds or thousands of dollars for special design software to create a cover that will make people snap up copies of your book. Murphy offers a training video that teaches youhow to design a great cover in 30 minutes or less.

He also offers a free, online cover creator tool, along with video tutorials to help you make the most of it.

6. Pixlr

Pixlr offers a variety of photo editing apps. “Pixlr Editor” offers opportunities to use layers, replace colors and transform objects. Another popular option is “Pixlr Express,” which offers quick fixes and personal touches with a simpler interface.

The site helps you create and touch up gorgeous images,, as the “Made with Pixlr” gallery shows. If you want to use the desktop version of Pixlr, you’ll have to pay about $15 per year.

7. GIMP

GIMP, a free program you can use for photo retouching, creating and composing images, stands for “GNU Image Manipulation Program.”

While many tools allow you to create and edit within your web browser, you’ll have to download this software before you get started. GIMP can be used with GNU/Linux and UNIX, as well as Windows, Mac and other systems.

8. Canva

More than 5.6 million users have created more than 31 million designs (and counting!) with this free software program. While some design elements will cost you, many templates and features are free.

Canva’s drag-and-drop setup makes it easy to create your simple book cover. It features millions of images (including stock photos, vectors and illustrations) as well as photo filters, free icons and shapes, and hundreds of fonts.

If you’re not sure where to start, visit Canva’s free Design Schoolwhere you can learn even more about design, as well as a book cover-specific tutorial.

 

Click here for original post:http://thewritelife.com/your-self-published-book-needs-a-cover-heres-how-to-create-it/

Writing And Editing: Five Problems to Avoid in Your First Novel

by http://www.thecreativepenn.com/2015/09/03/writing-editing-first-novel/

The first novel is definitely the hardest! You think you have internalized how a story works as a reader and then you discover there is so much more to learn.

writingIn this article, Natasa Lekic from New York Book Editors takes us through five problems that are common in first novels and how to avoid them.

The experience of writing your first draft can be a roller coaster.

However, once you write that final page, you’ll relate to Zadie Smith:

It’s a feeling of happiness that knocks me clean out of adjectives. I think sometimes that the best reason for writing novels is to experience those four and a half hours after you write the final word.”

For most first-time writers, this is followed by a straight dive into the publishing process.

After all, you did the work, now it’s time for your story to get out into the world – right?

Not yet. A crucial second phase is involved: the editing. Today, many novels go through an editor before they even reach a literary agent.

At the company I founded, NY Book Editors, we specialize in the editing phase, so we’ve worked with hundreds of first-time novelists. Our team of experienced editors—which has worked with authors ranging from Stephen King to Paulo Coelho to Haruki Murakami—say writers often stumble on the same things.

Here are the common issues writers deal with in their first outing:

1. Where’s the conflict?

Stories must have some form of tension, or conflict, at all times. First novels often start with long descriptions of place or character. The exposition may be beautiful, but prose is never enough to keep your reader interested.

Take even a quiet novel, such as national bestseller The Unlikely Pilgrimage of Harold Fry. In the opening scene, it’s an ordinary morning in Harold and Maureen’s household, but something seems wrong.

He’s sitting at breakfast, she’s vacuuming, and then, “The vacuum tumbled into silence, and his wife appeared, looking cross, with a letter.”

The letter is for Harold. As he absentmindedly reacts to Maureen’s request for the jam, she says:

“That’s the marmalade, Harold. Jam is red. If you look at things before you pick them up, you’ll find it helps.”

Harold discovers that the letter is from an old friend, letting him know she has cancer. Maureen changes her tone. She says she’s sorry to hear the news and tries to make a positive remark about the weather.

It seems she’s not just a crabby old woman. Her attitude is more complex than that.

On the surface, we’re reading about an ordinary breakfast and the delivery of a letter. But from the beginning, the reader can see there’s much more going on. This is what keeps us interested.

As an author, you know the central conflict of your story, the main arc, but remember it’s built up gradually through every little scene.

Your novel should never become a catalog of events. Instead, it should always include tension and conflict, which continue to engage the reader. This is the engine that drives your story forward.

2. Are your characters interesting?

As a reader or a movie goer, how frustrating is it when a character doesn’t turn out to be more than they seem? It means the writer didn’t have any insight into the inner life of this person or their world.

When a character has depth, we want to spend time with them – regardless of whether they’re good or evil, sympathetic or not – we’re drawn to their story and compelled to find out more.

One effective way to make sure your character is rich and multi-dimensional is to write their backstory.

This backstory is written outside your novel, and it should tell the character’s individual story—where they come from, what drives them and why—along with details about their life.

You can think of it as a mini history, and ask yourself what you might write if you were doing it for a family member or friend. You might include details about where they were born and who their relatives are, along with defining moments in their life, and tidbits about what they like or dislike.

In other words, you would include the big things, along with quirks that make them unique.

You might scratch your head and wonder why this is necessary. It’s not going to be in the book after all. Who cares about their backstory?

Jenna Blum in The Author at Work explains:

“Hemingway said that only the tip of the iceberg showed in fiction—your reader will see only what is above the water—but the knowledge that you have about your character that never makes it into the story acts as the bulk of the iceberg. And that is what gives your story weight and gravitas.”

The intimate understanding you have of your character will bury its way into your novel without you even noticing it. The reader, however, will be able to tell the difference.

3. Is your prose too beautiful?

Some authors believe good language should be showy. However, using unnecessary words in an effort to be literary or write more beautifully, is a common error first-time authors make.

Georges Simenon, a Belgian author, once pointed to a sentence and said: “That’s a beautiful sentence, cut it.” Simenon went on to say that he learned, after working with one editor, that sometimes style can overwhelm a writer’s content.

He explained:

“When you come across such a gorgeous sentence in a paragraph, it stands out and disrupts the even tone of your narrative. It’s as if you’ve paved a road and had a rose bush spurt up in the center. It’s beautiful, but it doesn’t belong there and it impedes the flow of the narrative.”

Or, as one of our editors put it, overuse of things like descriptors can bog down a narrative and make it more difficult for a reader to quickly grasp the meaning of a sentence and continue reading.

4. Has someone else read your manuscript?

Every writer should reread their own work and self-edit repeatedly – until they feel they’ve done everything they can for their manuscript. But at a certain point, a writer losses the ability to look over their own work honestly and objectively.

When he was younger, one of our editors completed a Master’s Thesis. Once he felt it was as good as he could possibly make it, he sent it to a friend to edit.

The document was returned in a sea of red marks. The most distressing edits, however, pointed out sections in which he had left out entire sentences.

“I knew exactly what I was trying to say, and so when I read it, I wasn’t reading the words on the page. I was reading what should have been there. My brain was filling in the gaps.

If I hadn’t had that person read it, I would have turned in something that in no way represented what I meant.

There comes a time when your writing is just too familiar to you. It all makes sense to you, so you can no longer see the flaws.”

That’s when a beta reader or a professional editor can really help. They’re approaching the manuscript for the first time, and they’re going to pick up on things you would never have noticed.

5. Be original

I know what you’re thinking—this is from Captain Obvious! But unless you have a masterful command of how to write in your genre, you run the risk of being predictable.

Consider Adele Waldman’s novel The Love Affairs of Nathaniel P.; it’s about the romantic relationship between a man and a woman and has been compared to the work of Jane Austen. However, unlike Austen’s work, Waldman’s novel is written from the point-of-view of a man.

At its core, the story is familiar. There’s nothing original about the concept of this book, which became a national bestseller. However, because Waldman took the unconventional approach of telling this tale in the first person from the perspective of the man, she made something old feel wholly new.

Having a woman write a romance from the perspective of a brilliant young man gives rise to psychological observations that make the book feel revelatory.

In your genre, ask yourself how your story differs from other books. Even though you need to meet your reader’s expectations for their genre (Nathaniel P. is, after all, a novel about relationships), you also need to surprise them.

Keep in mind that fans of sci-fi read a lot of sci-fi, fans of chick lit read a lot of chick lit, and so on. They’ve seen many variations of the same story. You don’t need to recreate the wheel, but a fresh voice or a new approach to a tried and true formula will delight the reader.

As a bonus, if you’ve done this well, it will also be much easier to describe your novel to readers. Everyone gets excited by discovering a fresh approach to a genre they know well.

 The last piece of advice is – don’t stress!

Writing a novel is an immense undertaking. By taking the time to craft your story, your unique perspective of the world, you’re embarking on a difficult but endlessly rewarding journey.

When you make mistakes, don’t be too hard on yourself. Every author you’ve ever admired (alright, alright except Shakespeare) has lagged here and there, learned from their hiccups, and gone on to write the books that shake you to your core.

It doesn’t happen overnight. Be patient with yourself and your craft. You’ll get there.

How to Improve Your English Writing Skills

This presentation was quite good.  The presenter had an interesting voice, it made you want to listen more to what he had to say.  These tips given were very practical and I believe they will apply for any language you are seeking to master the writing for.

Sometimes we take it for granted how important writing is in a language, even if it be our mother tongue.

I benefited from this information and thought it nice to share it with you on this blog.  Enjoy!

7 Tips to Improve Your Writing!

I thought this was quite good information.  I sometime make mistakes when writing, by doing the things the presenter says not to do.  Maybe you have already corrected these mistakes in your writing.  If not, have a look and see how much you can learn from her.