Early Reading and Writing Development

By Froma P. Roth, Ph.D, CCC-SLP and Diane R. Paul, Ph.D, CCC-SLP

Children start to learn language from the day they are born. As they grow and develop, their speech and language skills become increasingly more complex. They learn to understand and use language to express their ideas, thoughts, and feelings, and to communicate with others. During early speech and language development, children learn skills that are important to the development of literacy (reading and writing). This stage, known as emergent literacy, begins at birth and continues through the preschool years.

Children see and interact with print (e.g., books, magazines, grocery lists) in everyday situations (e.g., home, in preschool, and at daycare) well before they start elementary school. Parents can see their child’s growing appreciation and enjoyment of print as he or she begins to recognize words that rhyme, scribble with crayons, point out logos and street signs, and name some letters of the alphabet. Gradually, children combine what they know about speaking and listening with what they know about print and become ready to learn to read and write.

Are Spoken Language and Literacy Connected?

Yes. The experiences with talking and listening gained during the preschool period prepare children to learn to read and ite during the early elementary school years. This means that children who enter school with weaker verbal abilities are much more likely to experience difficulties learning literacy skills than those who do not.

One spoken language skill that is strongly connected to early reading and writing is phonological awareness — the recognition that words are made up of separate speech sounds, for example, that the word dog is composed of three sounds: /d/, /o/, /g/. There are a variety of oral language activities that show children’s natural development of phonological awareness, including rhyming (e.g., “cat-hat”) and alliteration (e.g., “big bears bounce on beds”), and isolating sounds (“Mom, /f/ is the first sound in the word fish”).

As children playfully engage in sound play, they eventually learn to segment words into their separate sounds, and “map” sounds onto printed letters, which allows them to begin to learn to read and write. Children who perform well on sound awareness tasks become successful readers and writers, while children who struggle with such tasks often do not.

Who is at Risk?

There are some early signs that may place a child at risk for the acquisition of literacy skills. Preschool children with speech and language disorders often experience problems learning to read and write when they enter school. Other factors include physical or medical conditions (e.g., preterm birth requiring placement in a neonatal intensive care unit, chronic ear infections, fetal alcohol syndrome, cerebral palsy), developmental disorders (e.g., mental retardation, autism spectrum), poverty, home literacy environment, and family history of language or literacy disabilities.

Early Warning Signs

Signs that may indicate later reading and writing and learning problems include persistent baby talk, absence of interest in or appreciation for nursery rhymes or shared book reading, difficulty understanding simple directions, difficulty learning (or remembering) names of letters, failure to recognize or identify letters in the child’s own name.

Role of the Speech-Language Pathologist

Speech-language pathologists (SLPs) have a key role in promoting the emergent literacy skills of all children, and especially those with known or suspected literacy-related learning difficulties. The SLP may help to prevent such problems, identify children at risk for reading and writing difficulties, and provide intervention to remediate literacy-related difficulties. Prevention efforts involve working in collaboration with families, other caregivers, and teachers to ensure that young children have high quality and ample opportunities to participate in emergent literacy activities both at home and in daycare and preschool environments. SLPs also help older children or those with developmental delays who have missed such opportunities. Children who have difficulty grasping emergent literacy games and activities may be referred for further assessment so that intervention can begin as early as possible to foster growth in needed areas and increase the likelihood of successful learning and academic achievement.

Early Intervention Is Critical

Emergent literacy instruction is most beneficial when it begins early in the preschool period because these difficulties are persistent and often affect children’s further language and literacy learning throughout the school years. Promoting literacy development, however, is not confined to young children. Older children, particularly those with speech and language impairments, may be functioning in the emergent literacy stage and require intervention aimed at establishing and strengthening these skills that are essential to learning to read and write.

What Parents Can Do

You can help your child develop literacy skills during regular activities without adding extra time to your day. There also are things you can do during planned play and reading times. Show your children that reading and writing are a part of everyday life and can be fun and enjoyable. Activities for preschool children include the following:

  • Talk to your child and name objects, people, and events in the everyday environment.
  • Repeat your child’s strings of sounds (e.g., “dadadada, bababa”) and add to them.
  • Talk to your child during daily routine activities such as bath or mealtime and respond to his or her questions.
  • Draw your child’s attention to print in everyday settings such as traffic signs, store logos, and food containers.
  • Introduce new vocabulary words during holidays and special activities such as outings to the zoo, the park, and so on.
  • Engage your child in singing, rhyming games, and nursery rhymes.
  • Read picture and story books that focus on sounds, rhymes, and alliteration (words that start with the same sound, as found in Dr. Seuss books).
  • Reread your child’s favorite book(s).
  • Focus your child’s attention on books by pointing to words and pictures as you read.
  • Provide a variety of materials to encourage drawing and scribbling (e.g., crayons, paper, markers, finger paints).
  • Encourage your child to describe or tell a story about his/her drawing and write down the words.

Click here for original post:http://www.getreadytoread.org/early-learning-childhood-basics/early-literacy/early-reading-and-writing-development

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What Is Dyslexia? | Child Psychology

Dyslexia is a very common term that I often hear parents use. Dyslexia actually means a reading disorder or a reading disability. Problems include difficulties with reading comprehension and understanding the main idea of what they’re reading. Dyslexia is never a vision problem. It’s just a difficulty with processing and understanding aspects of sound and language. There are many different strategies to help a child improve their problems with reading, such as specialized interventions in reading remediation, speech and language therapies, and a combination of both oftentimes. Children can definitely improve their reading skills and abilities with reading tutors, reading coaches. There are very specialized speech and language therapists that can also help strengthen a child’s reading skills. First their Dyslexia has to be diagnosed, which can be done through the collaboration of teachers, school psychologists, and a clinical professional. So these are some of the key concepts in understanding a reading disorder or Dyslexia.

3 Top Tips: Develop A Money-Making Writing Process

By Angela Booth

 

One of the most popular questions I receive concerns the writing process. It may be phrased as: “how do I write every day?”, or similarly. I always respond with another question: “what’s your goal?” Writing every day won’t help if you haven’t set any goals. So set some goals for your writing first.

Now let’s look at several tips for creating a writing process which helps you to make money, no matter what your writing goals happen to be.

What’s your current writing process?

To be able to change something, you need to know what it is that you want to change. Perhaps you procrastinate so that you write very little, or you feel that you don’t have enough time to write anything, or you’re frightened of writing because when you do write something you think that it’s rubbish… It doesn’t matter.

Grab a sheet of paper, or a sticky note (write on paper, so that you can paste the paper onto your car dashboard, or onto your bathroom mirror), and write down your current writing process in a sentence or two. Be honest. If you’re writing for ten minutes on a Sunday, or 20 minutes during your lunch hour at work, write that.

Try these tips…

1. WRITE ANYWAY. Because… Guess what? You’re probably never going to feel like writing every day

I love Mel Robbins’s book, Stop Saying You’re Fine: Discover a More Powerful You. She suggests that in any area of your life that you want to change, you must do the things that you don’t want to do.

Simple… But far from easy.

Whenever you don’t want to write for whatever reason — write anyway.

Over the past few months, I’ve moved myself and my business across the country, and I’ve found it very hard to write. I’m always suggesting DDT (do, don’t think) to my students, and it was time to put that into action myself.

Writing’s such a habit for me that I always write. However, without my comfy office, and a proper Internet connection, it was all too easy to convince myself that I had other things to do which were more important than writing. When I did get around to writing, instead of working on client projects, I amused myself by writing what I wanted to write (novels), rather than what I had to write.

Basically, I didn’t feel like writing, so I wrote for fewer hours than I normally do, and much less than I normally do. I had to remind my self to DDT, and to convince myself to write what I didn’t particularly want to write.

2. CREATE A WRITING SPACE, and close the door

If you don’t have a space that’s just for writing, choose one. Put some thought into it. This will be your “writing” space. You’ll train yourself that this space means writing to you, and nothing else.

Ensure that your chosen space has a lock on the door, good lighting, a comfortable chair, and a desk. You may not have these essentials (yet). Make do with what you have. Always go to your “writing” space when you want/ need to write.

If you’re easily distracted, turn off your Internet connection, so that you’re not tempted with Facebook, or online games, or whatever your favorite online activity happens to be.

Set up your space exactly the way you want it. Then, when it’s time to write, go to your space.

Perhaps you can only write during your lunch hour at work. In this situation, you’ll need to create a mental oasis. Imagine yourself in your perfect space: a large library, with lots of shelves, a huge desk…

3. MODEL A WRITER YOU ADMIRE: see yourself writing successfully

Which writers do you admire? Find a writing hero — someone who’s doing what you’d love to do, and then model that person. (To model someone is basically to do what they do.)

The Internet is amazing. Writers share their stories, and their processes, so you should be able to find any number of models who successfully write what you want to write.

Obviously, you can’t model your model’s successes. Your successes will be different from your hero’s successes. You’re modeling what your hero does.

Back to your sticky note…

Did you write your current writing process on your sticky note? If not, do that now.

Next, find your writing model. You may find that your model spends four hours every morning writing his books, and the afternoon hours reading and researching.

Don’t quit your day job to model this writer.

Instead, pay attention to the overall process: writing, reading, researching. If you follow that process, sooner or later you’ll get results.

Write “writing, reading, research” on your sticky note. All three (or however many elements there are with your model) are important. Include all the elements in your writing process.

When you don’t feel like writing, write anyway

It’s easy to become distracted — I’ve discovered that. If you find that you’re distracted, and you don’t feel like writing, sit down in your writing space, and write anyway. Within ten minutes, your mood will pass. On some days, it won’t pass. You’ll be very distracted — the same applies. Write anyway.

Over time, your writing space will have a Pavlovian effect on you. You’ll start writing as soon as you sit down and open your computer.

Your next step

Grab your sticky note, and choose a model. Then… write..

Original: http://www.fabfreelancewriting.com/blog/2016/04/06/3-top-tips-develop-money-making-writing-process/

Writing a Novel in 15 Steps: From Initial Idea to Querying

It occurred to me that while I’ve written several posts about the various steps that go into writing a novel from brainstorming to surviving the query trenches, I never really discussed the order, or the step-by-step process of writing a book from initial idea to searching for representation.
While every writer works a little differently, I’ve decided to share my general process from start to finish to give you an idea as to what usually goes into polishing a novel to completion—at least, how I handle it. 

    1. The spark. This is the initial idea—the bubble of excitement combined with the whisper of a line, shadow of a scene, glimpse of a world, or wink of a character. This is the moment when you dare to think maybe this could be a novel and everything changes.

 

    1. Brainstorming/Outlining. How you outline or brainstorm will depend on whether you’re a pantser or a plotter. I’ve done both sides of the spectrum, and I’ve found that I work really well by outlining with flashcards on Scrivener’s cork board, so after I’ve brainstormed some general plot ideas and I’m happy with what I have, I open up a new Scrivener project and start working. This is usually the step where I’ll decide whether or not the idea is novel-worthy.

 

    1. First draft. Ahh, the first draft. The exciting, terrifying, wonderful, exhausting first draft. I’m a fast drafter, so this usually takes me anywhere from three and a half to six weeks, depending on the length of the WIP and whether or not I outlined. To me, this is in many ways the hardest part, because you are, in essence, making the clay that you will later refine into a polished story. Pre-first draft, all you have are a bunch of ideas, but post-first draft you have a novel.

 

    1. Cooling off period. Sometimes, when I’m especially eager to get to editing, this step actually feels harder than the first drafting—even though it involves literally doing nothing. But the cooling off period is so important for reasons I’ve already talked about. I don’t recommend skipping this step, but everyone works differently.

 

    1. First read-through. I’ve found that the first read-through can either be crazy exciting, or horrifically disappointing. Either way, if you intend to release this novel to the world, the first read-through is unavoidable, and very important. I take notes when working through my first read-through and usually read it in a medium that doesn’t allow me to edit, like printed off or exported as an e-book.

 

    1. Second draft. Whatever notes I made in the first read-through—now it’s time to implement them. This is where I try to address major issues like plot problems, continuity errors or novel-wide enhancements that are needed to make the book semi-presentable.

 

    1. Read-aloud. I read aloud to my oh so lucky (and extraordinarily generous) first reader. Technically, you don’t need to read to anyone to get the benefits from reading aloud, but my first reader gives me a little extra feedback to help gauge what still needs fixing. The main point of the read-aloud, however, is to feel the flow of the writing, catch errors and gauge what’s working and what isn’t. I try to pay attention to where the pacing is off, where the dialogue sounds strange and where it’s easy to put the book down.

 

    1. CP swap/cooling off period. I’ve talked about how important beta readers and critique partners are, and this is where they first come into play. Once I’ve gone through the aforementioned steps and I’m relatively satisfied (meaning I’m aware it’s nowhere near perfection, but I’m not embarrassed to share it), I’ll let my CPs know what stage the book is in and start swapping chapters or whole manuscripts. This also acts as a cooling off period, because I’m spending some time focusing on something else (ergo: the CP’s MS).

 

    1. Third draft. Now that I have feedback from a couple CPs, I’ll start incorporating the changes into draft three. Depending on how the swapping goes, I may do this simultaneously with the CP swap (in which case I sort of skip the second cooling off period), but this varies case by case.

 

    1. CP swap/cooling off period (again). For some final feedback to see how well the revisions did (or didn’t) work.

 

    1. Final edit/polish. Using the final feedback and my own discretion, it’s now time for the final polish. This is where I tend to get nit-picky about word choice, placement of analogies, awkward wording and paragraph length. Sometimes, this can be the most intensive editing step, because it involves analyzing every single sentence. 

 

  1. Synopsis/query/pitch drafting. The polish is done! Yay! Now for my favorite step—synopsis and query drafting. This tweet basically sums up my feelings for this step.

The Writing Process.

the writing process

By Ali Hale

 

Whether you know it or not, there’s a process to writing – which many writers follow naturally. If you’re just getting started as a writer, though, or if you always find it a struggle to produce an essay, short story or blog, following the writing process will help.

I’m going to explain what each stage of the writing process involves, and I’ll offer some tips for each section that will help out if you’re still feeling stuck!

1. Prewriting

Have you ever sat staring at a blank piece of paper or a blank document on your computer screen? You might have skipped the vital first stage of the writing process: prewriting. This covers everything you do before starting your rough draft. As a minimum, prewriting means coming up with an idea!

Ideas and Inspiration

Ideas are all around you. If you want to write but you don’t have any ideas, try:

  • Using a writing prompt to get you started.
  • Writing about incidents from your daily life, or childhood.
  • Keeping a notebook of ideas – jotting down those thoughts that occur throughout the day.
  • Creating a vivid character, and then writing about him/her.

See also How to Generate Hundreds of Writing Ideas.

Tip: Once you have an idea, you need to expand on it. Don’t make the mistake of jumping straight into your writing – you’ll end up with a badly structured piece.

Building on Your Idea

These are a couple of popular methods you can use to add flesh to the bones of your idea:

  • Free writing: Open a new document or start a new page, and write everything that comes into your head about your chosen topic. Don’t stop to edit, even if you make mistakes.
  • Brainstorming: Write the idea or topic in the center of your page. Jot down ideas that arise from it – sub-topics or directions you could take with the article.

Once you’ve done one or both of these, you need to select what’s going into your first draft.

Planning and Structure

Some pieces of writing will require more planning than others. Typically, longer pieces and academic papers need a lot of thought at this stage.

First, decide which ideas you’ll use. During your free writing and brainstorming, you’ll have come up with lots of thoughts. Some belong in this piece of writing: others can be kept for another time.

Then, decide how to order those ideas. Try to have a logical progression. Sometimes, your topic will make this easy: in this article, for instance, it made sense to take each step of the writing process in order. For a short story, try the eight-point story arc.

2. Writing

Sit down with your plan beside you, and start your first draft (also known as the rough draft or rough copy). At this stage, don’t think about word-count, grammar, spelling and punctuation. Don’t worry if you’ve gone off-topic, or if some sections of your plan don’t fit too well. Just keep writing!

If you’re a new writer, you might be surprised that professional authors go through multiple drafts before they’re happy with their work. This is a normal part of the writing process – no-one gets it right first time.

Some things that many writers find helpful when working on the first draft include:

  • Setting aside at least thirty minutes to concentrate: it’s hard to establish a writing flow if you’re just snatching a few minutes here and there.
  • Going somewhere without interruptions: a library or coffee shop can work well, if you don’t have anywhere quiet to write at home.
  • Switching off distracting programs: if you write your first draft onto a computer, you might find that turning off your Internet connection does wonders for your concentration levels! When I’m writing fiction, I like to use the free program Dark Room (you can find more about it on our collection of writing software).

You might write several drafts, especially if you’re working on fiction. Your subsequent drafts will probably merge elements of the writing stage and the revising stage.

Tip: Writing requires concentration and energy. If you’re a new writer, don’t try to write for hours without stopping. Instead, give yourself a time limit (like thirty minutes) to really focus – without checking your email!

3. Revising

Revising your work is about making “big picture” changes. You might remove whole sections, rewrite entire paragraphs, and add in information which you’ve realized the reader will need. Everyone needs to revise – even talented writers.

The revision stage is sometimes summed up with the A.R.R.R. (Adding, Rearranging, Removing, Replacing) approach:

Adding

What else does the reader need to know? If you haven’t met the required word-count, what areas could you expand on? This is a good point to go back to your prewriting notes – look for ideas which you didn’t use.

Rearranging

Even when you’ve planned your piece, sections may need rearranging. Perhaps as you wrote your essay, you found that the argument would flow better if you reordered your paragraphs. Maybe you’ve written a short story that drags in the middle but packs in too much at the end.

Removing

Sometimes, one of your ideas doesn’t work out. Perhaps you’ve gone over the word count, and you need to take out a few paragraphs. Maybe that funny story doesn’t really fit with the rest of your article.

Replacing

Would more vivid details help bring your piece to life? Do you need to look for stronger examples and quotations to support your argument? If a particular paragraph isn’t working, try rewriting it.

Tip: If you’re not sure what’s working and what isn’t, show your writing to someone else. This might be a writers’ circle, or just a friend who’s good with words. Ask them for feedback. It’s best if you can show your work to several people, so that you can get more than one opinion.

4. Editing

The editing stage is distinct from revision, and needs to be done after revising. Editing involves the close-up view of individual sentences and words. It needs to be done after you’ve made revisions on a big scale: or else you could agonize over a perfect sentence, only to end up cutting that whole paragraph from your piece.

When editing, go through your piece line by line, and make sure that each sentence, phrase and word is as strong as possible. Some things to check for are:

  • Have you used the same word too many times in one sentence or paragraph? Use a thesaurus to find alternatives.
  • Are any of your sentences hard to understand? Rewrite them to make your thoughts clear.
  • Which words could you cut to make a sentence stronger? Words like “just” “quite”, “very”, “really” and “generally” can often be removed.
  • Are your sentences grammatically correct? Keep a careful look out for problems like subject-verb agreement and staying consistent in your use of the past, present or future tense.
  • Is everything spelt correctly? Don’t trust your spell-checker – it won’t pick up every mistake. Proofread as many times as necessary.
  • Have you used punctuation marks correctly? Commas often cause difficulties. You might want to check out the Daily Writing Tips articles on punctuation.

Tip: Print out your work and edit on paper. Many writers find it easier to spot mistakes this way.

5. Publishing

The final step of the writing process is publishing. This means different things depending on the piece you’re working on.

Bloggers need to upload, format and post their piece of completed work.

Students need to produce a final copy of their work, in the correct format. This often means adding a bibliography, ensuring that citations are correct, and adding details such as your student reference number.

Journalists need to submit their piece (usually called “copy”) to an editor. Again, there will be a certain format for this.

Fiction writers may be sending their story to a magazine or competition. Check guidelines carefully, and make sure you follow them. If you’ve written a novel, look for an agent who represents your genre. (There are books like Writer’s Market, published each year, which can help you with this.)

Tip: Your piece of writing might never be published. That’s okay – many bestselling authors wrote lots of stories or articles before they got their first piece published. Nothing that you write is wasted, because it all contributes to your growth as a writer.

Conclusion

The five stages of the writing process are a framework for writing well and easily. You might want to bookmark this post so that you can come back to it each time you start on a new article, blog post, essay or story: use it as a checklist to help you.

If you have any tips about the writing process, or if you want to share your experiences, tell us in the comments!

 

Original post:http://www.dailywritingtips.com/the-writing-process/

Writing And Editing: Five Problems to Avoid in Your First Novel

by http://www.thecreativepenn.com/2015/09/03/writing-editing-first-novel/

The first novel is definitely the hardest! You think you have internalized how a story works as a reader and then you discover there is so much more to learn.

writingIn this article, Natasa Lekic from New York Book Editors takes us through five problems that are common in first novels and how to avoid them.

The experience of writing your first draft can be a roller coaster.

However, once you write that final page, you’ll relate to Zadie Smith:

It’s a feeling of happiness that knocks me clean out of adjectives. I think sometimes that the best reason for writing novels is to experience those four and a half hours after you write the final word.”

For most first-time writers, this is followed by a straight dive into the publishing process.

After all, you did the work, now it’s time for your story to get out into the world – right?

Not yet. A crucial second phase is involved: the editing. Today, many novels go through an editor before they even reach a literary agent.

At the company I founded, NY Book Editors, we specialize in the editing phase, so we’ve worked with hundreds of first-time novelists. Our team of experienced editors—which has worked with authors ranging from Stephen King to Paulo Coelho to Haruki Murakami—say writers often stumble on the same things.

Here are the common issues writers deal with in their first outing:

1. Where’s the conflict?

Stories must have some form of tension, or conflict, at all times. First novels often start with long descriptions of place or character. The exposition may be beautiful, but prose is never enough to keep your reader interested.

Take even a quiet novel, such as national bestseller The Unlikely Pilgrimage of Harold Fry. In the opening scene, it’s an ordinary morning in Harold and Maureen’s household, but something seems wrong.

He’s sitting at breakfast, she’s vacuuming, and then, “The vacuum tumbled into silence, and his wife appeared, looking cross, with a letter.”

The letter is for Harold. As he absentmindedly reacts to Maureen’s request for the jam, she says:

“That’s the marmalade, Harold. Jam is red. If you look at things before you pick them up, you’ll find it helps.”

Harold discovers that the letter is from an old friend, letting him know she has cancer. Maureen changes her tone. She says she’s sorry to hear the news and tries to make a positive remark about the weather.

It seems she’s not just a crabby old woman. Her attitude is more complex than that.

On the surface, we’re reading about an ordinary breakfast and the delivery of a letter. But from the beginning, the reader can see there’s much more going on. This is what keeps us interested.

As an author, you know the central conflict of your story, the main arc, but remember it’s built up gradually through every little scene.

Your novel should never become a catalog of events. Instead, it should always include tension and conflict, which continue to engage the reader. This is the engine that drives your story forward.

2. Are your characters interesting?

As a reader or a movie goer, how frustrating is it when a character doesn’t turn out to be more than they seem? It means the writer didn’t have any insight into the inner life of this person or their world.

When a character has depth, we want to spend time with them – regardless of whether they’re good or evil, sympathetic or not – we’re drawn to their story and compelled to find out more.

One effective way to make sure your character is rich and multi-dimensional is to write their backstory.

This backstory is written outside your novel, and it should tell the character’s individual story—where they come from, what drives them and why—along with details about their life.

You can think of it as a mini history, and ask yourself what you might write if you were doing it for a family member or friend. You might include details about where they were born and who their relatives are, along with defining moments in their life, and tidbits about what they like or dislike.

In other words, you would include the big things, along with quirks that make them unique.

You might scratch your head and wonder why this is necessary. It’s not going to be in the book after all. Who cares about their backstory?

Jenna Blum in The Author at Work explains:

“Hemingway said that only the tip of the iceberg showed in fiction—your reader will see only what is above the water—but the knowledge that you have about your character that never makes it into the story acts as the bulk of the iceberg. And that is what gives your story weight and gravitas.”

The intimate understanding you have of your character will bury its way into your novel without you even noticing it. The reader, however, will be able to tell the difference.

3. Is your prose too beautiful?

Some authors believe good language should be showy. However, using unnecessary words in an effort to be literary or write more beautifully, is a common error first-time authors make.

Georges Simenon, a Belgian author, once pointed to a sentence and said: “That’s a beautiful sentence, cut it.” Simenon went on to say that he learned, after working with one editor, that sometimes style can overwhelm a writer’s content.

He explained:

“When you come across such a gorgeous sentence in a paragraph, it stands out and disrupts the even tone of your narrative. It’s as if you’ve paved a road and had a rose bush spurt up in the center. It’s beautiful, but it doesn’t belong there and it impedes the flow of the narrative.”

Or, as one of our editors put it, overuse of things like descriptors can bog down a narrative and make it more difficult for a reader to quickly grasp the meaning of a sentence and continue reading.

4. Has someone else read your manuscript?

Every writer should reread their own work and self-edit repeatedly – until they feel they’ve done everything they can for their manuscript. But at a certain point, a writer losses the ability to look over their own work honestly and objectively.

When he was younger, one of our editors completed a Master’s Thesis. Once he felt it was as good as he could possibly make it, he sent it to a friend to edit.

The document was returned in a sea of red marks. The most distressing edits, however, pointed out sections in which he had left out entire sentences.

“I knew exactly what I was trying to say, and so when I read it, I wasn’t reading the words on the page. I was reading what should have been there. My brain was filling in the gaps.

If I hadn’t had that person read it, I would have turned in something that in no way represented what I meant.

There comes a time when your writing is just too familiar to you. It all makes sense to you, so you can no longer see the flaws.”

That’s when a beta reader or a professional editor can really help. They’re approaching the manuscript for the first time, and they’re going to pick up on things you would never have noticed.

5. Be original

I know what you’re thinking—this is from Captain Obvious! But unless you have a masterful command of how to write in your genre, you run the risk of being predictable.

Consider Adele Waldman’s novel The Love Affairs of Nathaniel P.; it’s about the romantic relationship between a man and a woman and has been compared to the work of Jane Austen. However, unlike Austen’s work, Waldman’s novel is written from the point-of-view of a man.

At its core, the story is familiar. There’s nothing original about the concept of this book, which became a national bestseller. However, because Waldman took the unconventional approach of telling this tale in the first person from the perspective of the man, she made something old feel wholly new.

Having a woman write a romance from the perspective of a brilliant young man gives rise to psychological observations that make the book feel revelatory.

In your genre, ask yourself how your story differs from other books. Even though you need to meet your reader’s expectations for their genre (Nathaniel P. is, after all, a novel about relationships), you also need to surprise them.

Keep in mind that fans of sci-fi read a lot of sci-fi, fans of chick lit read a lot of chick lit, and so on. They’ve seen many variations of the same story. You don’t need to recreate the wheel, but a fresh voice or a new approach to a tried and true formula will delight the reader.

As a bonus, if you’ve done this well, it will also be much easier to describe your novel to readers. Everyone gets excited by discovering a fresh approach to a genre they know well.

 The last piece of advice is – don’t stress!

Writing a novel is an immense undertaking. By taking the time to craft your story, your unique perspective of the world, you’re embarking on a difficult but endlessly rewarding journey.

When you make mistakes, don’t be too hard on yourself. Every author you’ve ever admired (alright, alright except Shakespeare) has lagged here and there, learned from their hiccups, and gone on to write the books that shake you to your core.

It doesn’t happen overnight. Be patient with yourself and your craft. You’ll get there.

5 Secret Tips To Writing A Successful Short Story

From Writer’s Relief staff:

Every story has a beginning, middle, and end. But the secret to successfully getting a short story published is to add something special to your storytelling mix…something that captures the attention of editors and readers alike. While there are no hard and fast rules for creating a great short story, here are a few industry secrets that will help your writing stand out:

Identify The Heart Of Your Story. Explore your motivations, determine what you want your story to do, then stick to your core message. Considering that the most marketable short stories tend to be 3,500 words or less, you’ll need to make every sentence count. If you over-stuff your plot by including too many distractions, your story will feel overloaded and underdeveloped.

See Things Differently. Experiment with your short story’s POV. A unique, unexpected voice can provide the most compelling, focused experience of the central story. Just be careful that you don’t inadvertently give the story to a nonessential character. Narrating the story line through a character who’s not central to the action is a common mistake many new authors make, often with confusing or convoluted results.

Opposites Attract. Elements that work against your character’s central desire will keep the reader intrigued and prevent your story from getting stuck. You can also try approaching your core idea from an unusual direction. Dialogue, setting, and characterization are all areas that will benefit from an unexpected twist.

Craft A Strong Title. This can be one of the most difficult—but one of the most important—parts of writing your story. How do you find inspiration for a great title? Have friends read your story and note which words or phrases strike them or stand out. These excerpts from your text just might hold the perfect title. Try to stay away from one- or two-word titles, which can seem to editors as taking the easy way out.

Shorter Is Sweeter. Resist the urge to go on and on. With a shorter short story, you will have more markets available to you and thus a better chance of getting published. Here at Writer’s Relief, our submission strategists and clients have noticed that editors consistently prefer short stories that are under 3,500 words over longer ones.

Use these simple tips to polish your prose and assess any potential short story shortcomings. With these insider guidelines, you can increase the odds of your short story being selected for the pages of a literary journal. That’s the best ending any author could devise—or even better, a great beginning to your future success!

Original post:http://www.huffingtonpost.com/2013/09/18/short-story-tips-_n_3947152.html