3 Top Tips: Develop A Money-Making Writing Process

By Angela Booth


One of the most popular questions I receive concerns the writing process. It may be phrased as: “how do I write every day?”, or similarly. I always respond with another question: “what’s your goal?” Writing every day won’t help if you haven’t set any goals. So set some goals for your writing first.

Now let’s look at several tips for creating a writing process which helps you to make money, no matter what your writing goals happen to be.

What’s your current writing process?

To be able to change something, you need to know what it is that you want to change. Perhaps you procrastinate so that you write very little, or you feel that you don’t have enough time to write anything, or you’re frightened of writing because when you do write something you think that it’s rubbish… It doesn’t matter.

Grab a sheet of paper, or a sticky note (write on paper, so that you can paste the paper onto your car dashboard, or onto your bathroom mirror), and write down your current writing process in a sentence or two. Be honest. If you’re writing for ten minutes on a Sunday, or 20 minutes during your lunch hour at work, write that.

Try these tips…

1. WRITE ANYWAY. Because… Guess what? You’re probably never going to feel like writing every day

I love Mel Robbins’s book, Stop Saying You’re Fine: Discover a More Powerful You. She suggests that in any area of your life that you want to change, you must do the things that you don’t want to do.

Simple… But far from easy.

Whenever you don’t want to write for whatever reason — write anyway.

Over the past few months, I’ve moved myself and my business across the country, and I’ve found it very hard to write. I’m always suggesting DDT (do, don’t think) to my students, and it was time to put that into action myself.

Writing’s such a habit for me that I always write. However, without my comfy office, and a proper Internet connection, it was all too easy to convince myself that I had other things to do which were more important than writing. When I did get around to writing, instead of working on client projects, I amused myself by writing what I wanted to write (novels), rather than what I had to write.

Basically, I didn’t feel like writing, so I wrote for fewer hours than I normally do, and much less than I normally do. I had to remind my self to DDT, and to convince myself to write what I didn’t particularly want to write.

2. CREATE A WRITING SPACE, and close the door

If you don’t have a space that’s just for writing, choose one. Put some thought into it. This will be your “writing” space. You’ll train yourself that this space means writing to you, and nothing else.

Ensure that your chosen space has a lock on the door, good lighting, a comfortable chair, and a desk. You may not have these essentials (yet). Make do with what you have. Always go to your “writing” space when you want/ need to write.

If you’re easily distracted, turn off your Internet connection, so that you’re not tempted with Facebook, or online games, or whatever your favorite online activity happens to be.

Set up your space exactly the way you want it. Then, when it’s time to write, go to your space.

Perhaps you can only write during your lunch hour at work. In this situation, you’ll need to create a mental oasis. Imagine yourself in your perfect space: a large library, with lots of shelves, a huge desk…

3. MODEL A WRITER YOU ADMIRE: see yourself writing successfully

Which writers do you admire? Find a writing hero — someone who’s doing what you’d love to do, and then model that person. (To model someone is basically to do what they do.)

The Internet is amazing. Writers share their stories, and their processes, so you should be able to find any number of models who successfully write what you want to write.

Obviously, you can’t model your model’s successes. Your successes will be different from your hero’s successes. You’re modeling what your hero does.

Back to your sticky note…

Did you write your current writing process on your sticky note? If not, do that now.

Next, find your writing model. You may find that your model spends four hours every morning writing his books, and the afternoon hours reading and researching.

Don’t quit your day job to model this writer.

Instead, pay attention to the overall process: writing, reading, researching. If you follow that process, sooner or later you’ll get results.

Write “writing, reading, research” on your sticky note. All three (or however many elements there are with your model) are important. Include all the elements in your writing process.

When you don’t feel like writing, write anyway

It’s easy to become distracted — I’ve discovered that. If you find that you’re distracted, and you don’t feel like writing, sit down in your writing space, and write anyway. Within ten minutes, your mood will pass. On some days, it won’t pass. You’ll be very distracted — the same applies. Write anyway.

Over time, your writing space will have a Pavlovian effect on you. You’ll start writing as soon as you sit down and open your computer.

Your next step

Grab your sticky note, and choose a model. Then… write..

Original: http://www.fabfreelancewriting.com/blog/2016/04/06/3-top-tips-develop-money-making-writing-process/


5 Secret Tips To Writing A Successful Short Story

From Writer’s Relief staff:

Every story has a beginning, middle, and end. But the secret to successfully getting a short story published is to add something special to your storytelling mix…something that captures the attention of editors and readers alike. While there are no hard and fast rules for creating a great short story, here are a few industry secrets that will help your writing stand out:

Identify The Heart Of Your Story. Explore your motivations, determine what you want your story to do, then stick to your core message. Considering that the most marketable short stories tend to be 3,500 words or less, you’ll need to make every sentence count. If you over-stuff your plot by including too many distractions, your story will feel overloaded and underdeveloped.

See Things Differently. Experiment with your short story’s POV. A unique, unexpected voice can provide the most compelling, focused experience of the central story. Just be careful that you don’t inadvertently give the story to a nonessential character. Narrating the story line through a character who’s not central to the action is a common mistake many new authors make, often with confusing or convoluted results.

Opposites Attract. Elements that work against your character’s central desire will keep the reader intrigued and prevent your story from getting stuck. You can also try approaching your core idea from an unusual direction. Dialogue, setting, and characterization are all areas that will benefit from an unexpected twist.

Craft A Strong Title. This can be one of the most difficult—but one of the most important—parts of writing your story. How do you find inspiration for a great title? Have friends read your story and note which words or phrases strike them or stand out. These excerpts from your text just might hold the perfect title. Try to stay away from one- or two-word titles, which can seem to editors as taking the easy way out.

Shorter Is Sweeter. Resist the urge to go on and on. With a shorter short story, you will have more markets available to you and thus a better chance of getting published. Here at Writer’s Relief, our submission strategists and clients have noticed that editors consistently prefer short stories that are under 3,500 words over longer ones.

Use these simple tips to polish your prose and assess any potential short story shortcomings. With these insider guidelines, you can increase the odds of your short story being selected for the pages of a literary journal. That’s the best ending any author could devise—or even better, a great beginning to your future success!

Original post:http://www.huffingtonpost.com/2013/09/18/short-story-tips-_n_3947152.html

How To Write and Revise a Novel (From a Newbie’s Perspective)

By: @DianaUrban.

The Summary of My Novel Writing Process

  • Step 1: The Outline
  • Step 2: The Vomit Draft
  • Step 3: The 2nd Draft – Editing for Story
  • Step 4: The 3rd Draft – Editing the Copy
  • Step 5: The 4th Draft – Close Beta Feedback
  • Step 6: The 5th Draft – All Beta Feedback

The Details of My Novel Writing Process

Step 1: The Outline

The outline is imperative. Some writers like to free-flow their writing and let the story form as they go. However, a solid outline lets you:

  • Understand how your story ends. How will your character get from page one to the finish line? Your characters should have some major obstacles to overcome starting from chapter one. Your outline is a map to their “survival.”
  • Keep track of your characters. My favorite novels have more than just a couple characters (think Harry Potter, Lord of the Rings, Hunger Games, etc.), and my novel has quite a few as well. It’s important to keep everyone straight and what their role will be throughout the novel.
  • Keep your characters on course. Your protagonist will need to change in some way, for better or worse. An outline lets you plan their progression.
  • Ensures you don’t forget anyone. Don’t forget about any of your characters that should have a presence throughout the whole book. You don’t want your main supporting character to go missing for six chapters (unless, of course, that’s part of the plot).
  • Keep the facts straight. As you progress through your novel, it will be easier to remember the events of earlier chapters, so you don’t have to sift through thousands of words to remember where/when something happened.

Even though I highly recommend creating an outline, there are a few points I kept in mind to keep myself from going crazy:

  • An outline is more of a guideline than rules.
  • Your novel will adapt as your characters adapt to the situations their in. And that’s ok.
  • Your ending may be completely different from the one in your outline. Again, that’s ok.
  • It’s ok to add scenes to your outline after you get started. Create your outline on your computer, rather than using pen and paper, to make it easier to insert stuff.

I did not write detailed character sheets, scene/location descriptions, etc. That’s a little too much planning for my taste, but that’s just me! I did, however, list out all the characters’ names (first and last) for easy reference, even if I never mentioned a character’s last name in the story.

Step 2: The Vomit Draft

WRITE WRITE WRITE. Get your novel out. Let your characters tell the story through your fingertips as you type away. Many authors find the blank page intimidating. IT IS. But it’s also exhilarating. Your story is yours to craft. You’re in control of this whole world and what happens to your characters.

Some helpful tips for the vomit draft:

  • Set a character target but don’t obsess over it. I set my target at 80K words. I ended up at almost 85K words by the end of the 4th draft, but my vomit draft only ended up at 74K words. In your later drafts you can add detail and color to your world while cutting a lot (we’ll get into that later).
  • You don’t have to write every day. Some authors like to set 1K or 2K word count targets per day. I didn’t. I was on a mission to write the vomit draft within one month, which I did. But I got through it with marathons and days off. Every writer is different, but after a long and stressful day at work, there were some days I couldn’t muster up the strength to keep looking at a computer monitor (and I’m not a morning person). I did most of my writing on the weekend; I wrote something like 30K words in one weekend — it was the last 3rd of the book, including the climax, so it was easy to just keep going.
  • Don’t believe in writer’s block. Staring at a blank screen is the worst. So don’t let the blank screen happen. How? Don’t skip step #1. Your outline is your first line of defense against writer’s block. If you don’t know how to start one scene, skip to the next until you get inspired. Never use writer’s block as an excuse for not writing one day. There are plenty other things in life that will get in the way

Quick note about Steps 3-5: they can happen simultaneously. For example, I did not complete draft #2 of the entire novel before proceeding to draft #3. Sometimes I did #2 and #3 of the same chapter back-to-back. Sometimes I’d do #2 of five chapters, then #3 of those five chapters. Other times I’d do #2, #3, and #4 of the same chapter at once.

Step 3: The Second Draft – Editing for Story

Some writers advise you to put down your novel for six weeks before proceeding to the second draft. I did not do this, and I personally wouldn’t recommend it. I wanted to continue while draft one was fresh in my brain, and I could remember all the changes I knew I wanted to make by the time I reached the end.

This draft is all about fixing the story, eliminating plot holes, adding detail to characters and scenes, and deepening dialogue. It’s not about perfecting sentences or fixing your typos. During draft two, I often rewrote entire chapters, or entire action sequences, or entire conversations. My writing had improved by the last third of my vomit draft, so I rewrote a lot of the first half of the novel.

The second draft is also where you can “show, don’t tell.” If you find a paragraph (or five) explaining something that happened between now and your last chapter, nix those paragraphs and craft a scene or dialogue where you make that thing happen.

Step 4: The Third Draft – Editing the Copy

Now that your story is set, it’s time to add detail, but more importantly, CUT words. This is pretty time-consuming and takes several hours per chapter. I will get into more detail in future posts, but here are the basics:

  • Eliminate needless elements. Cut sentences or paragraphs that don’t further the story, provide extra detail, or make sense.
  • Make your verbs stronger. Did your character walk into the room? Or did they stride into the room? Or amble into the room? Or tripped into the room? Making your verbs stronger will help you eliminate pesky adverbs that slow down your writing.
  • Cut the he said she said. The context of the dialogue should let the reader know who’s speaking. You can also add action between the dialogue.
  • Cut weak words: just, probably, that, definitely, literally, certainly, absolutely, etc. etc.
  • Cut character points of view that slow down the story. Don’t say, “Bob looked in the window and saw that Mary was watering her plants.” Instead, say, “Mary watered her plants.”
  • Cut passive voice. Most of your sentences should have a subject followed by a verb. Don’t say, “The apple was picked up the girl in the yellow frock.” Instead, say, “The girl in the yellow frock picked up an apple.” Or better yet, “The girl picked up an apple, her yellow frock whipping in the wind.”

These are cheesy examples, but you get the point. More details to come in later posts! In this draft, you should also fix any typos and grammar mistakes you find.

Again, my target length was 80K words, my 1st draft was 74K words, and my 3rd draft was 85K words. I cut a LOT from the 1st draft during the 3rd draft, but I added detail and conversations (“show, don’t tell”) in the 2nd draft, which is why my 3rd draft ended up being 11K longer than the first.

Step 5: The Fourth Draft – Close Beta Reader

Find someone you trust to be your first beta reader. This person should:

  • Be willing to invest some serious time in reading your chapters as you finish the third draft within a short timeframe.
  • Be accessible to you. Ideally, live nearby, or be available by phone on a regular basis.
  • Be good at giving critical, honest feedback.
  • Have a solid grasp of the English language and/or English literature.
  • Be a good writer themselves (not required, but helpful)

In my case, my first beta reader was my husband Bryan. Here was our process:

  • I sent him each chapter as I finished the 3rd draft in a Word doc.
  • He used track changes to provide comments, make typo edits, etc.
  • He emailed each chapter back to me and sat with me as I read through his notes, asked questions, etc. We’d talk about plot points and whether things the characters said made sense, how to make the scene stronger, etc. Having someone to bounce ideas off of made my story so much stronger.
  • I manually made all edits in Scrivener (so I never used the track changes “Accept Change” feature).

Step 6: The Fifth Draft – All Beta Readers

Yesterday, I sent the novel to eight beta readers (including my parents, in-laws, a couple friends, and a fellow writer). They will help me find typos and give me any other feedback they come up with so I can make my novel as strong as possible before sending it off to the agents.

Next up will be agent research and writing the queries, and then I’ll complete the fifth and final draft based on my beta readers’ feedback. I’m all about efficiency. I hope this helped someone out there! Please feel free to leave a comment below, I’d love to hear from you.

Post: http://dianaurban.com/how-to-write-and-revise-a-novel-from-a-newbies-perspective?utm_content=buffere3893&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer